1. What inspired the story behind your short film?
The ongoing genocide in Palestine and the broader crisis in the Middle East inspired us to make this film. We felt an urgent need to take action through the tools we have — and for us, that meant telling a story through cinema. The media’s neglect and the dehumanization of Middle Eastern, particularly Palestinian, people pushed us to respond with truth and empathy.

2. What message or emotion do you hope the audience takes away from your film?
We hope the audience walks away with both empathy and discomfort. If viewers are compelled to pause, reflect, and consider the reality behind the story, then the film has done its job. More than anything, we want it to resonate on a deeply human level and open even a small window into a much larger truth.

3. What’s your go-to creative ritual before a shoot day?
We focus on thorough preparation and clear communication—outlining what needs to happen and what to avoid. Creating a safe, collaborative environment on set is essential. We check in with the crew to make sure everyone feels heard, especially if something goes wrong or they have input. Preparation helps reduce surprises and sets the tone for a smooth shoot.

4. What’s one film you wish you had directed—and why?
Interstellar. It may be a popular choice, but its depth and timelessness really struck me. I would have loved to direct something so emotionally expansive and philosophically profound.

5. If you had to shoot a short film using only three props, what would they be?
A cradle, a baby mobile, and a picture frame—these are actually the three props featured in Ya Hanouni.

6. What’s your guilty pleasure movie or series you rewatch all the time?
Spider-Man 3. I know it received mixed reviews, but I really enjoyed it the first time and still do!

7. Why are short films important in today’s media landscape?
Short films are more accessible now than ever. Even with limited equipment or budgets, filmmakers can create meaningful work. That democratisation allows for a richer diversity of stories and voices—many of which might never make it into a feature film.

8. What advice would you give to someone making their first short?
Keep making films and learning as you go. That’s the best advice we received starting out, and it still holds true today.

9. What’s one question you wish interviewers asked—and how would you answer it?
I wish someone would ask how we stay hopeful and motivated despite the challenges. For me, it’s about responsibility—storytelling allows us to make sense of the world and to stand with those whose voices are often ignored. That purpose keeps me going, even on the hardest days.

10. Why are festivals like the FAME Shorts Film Festival so important?
Festivals like FAME Shorts provide space for diverse perspectives and stories to be seen and heard. We’re genuinely grateful Ya Hanouni was selected—it means the world to us to share our voice on such a platform.