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WHY THE CATTLE WAITS

Nomvula, a goddess, descends to Earth in search of her lost human lover, Thandiwe. Disguising herself as animals to avoid detection, she finally finds him—only to discover he has moved on. Heartbroken and determined to reclaim what they once had, she pleads with him to return with her to the eternal realm. But when her love is not returned, Nomvula’s sorrow turns to fury, threatening to bring about the world’s destruction.

1. What inspired the story behind your short film?
Why The Cattle Wait was inspired by the folklore of Zulu mythologist Credo Mutwa, an East African tale about a goddess who falls in love with a human, and the beach cows of Pondoland in South Africa. These stories, landscapes, and symbols all came together to shape the heart of the film.

2. What message or emotion do you hope the audience takes away from your film?
At its core, the film is about the lengths we go for love. I hope audiences feel a deep sense of longing—for a lost love, for a fading connection to culture, and for something just out of reach. The film also explores heritage and loss, and I hope it inspires viewers to reflect on our history, our present, and what is lost when we forget where we come from.

3. What’s your go-to creative ritual before a shoot day?
To be honest, shoot days are so busy I rarely have time for elaborate rituals—but I always make time to pray. It helps ground me before stepping into the chaos.

4. What’s one film you wish you had directed—and why?
Definitely Mustang (2015) by Deniz Ergüven. It tells the story of five sisters fighting for freedom, and it’s told with such delicacy, intimacy, and power. It reminded me of my own childhood and the bond I share with my sisters. It’s a stunning, emotionally rich film about womanhood and resistance.

5. If you had to shoot a short film using only three props, what would they be?
A bicycle, an umbrella, and a basket. They’re classic, cinematic, and versatile—full of character and story potential.

6. What’s your guilty pleasure movie or series you rewatch all the time?
The Great on Hulu. It’s a witty, feminist, and totally subversive take on Catherine the Great’s rise to power. I love its bold female characters, clever writing, and historical reimagining.

7. Why are short films important in today’s media landscape?
Short films give filmmakers the freedom to experiment and push creative boundaries. They teach the power of concise, focused storytelling and are essential for honing one’s craft. They’re also a powerful tool for emerging voices to be seen and heard.

8. What advice would you give to someone making their first short?
Making a short film is hard—it takes resilience and tenacity. You’ll face rejection, closed doors, and setbacks. But if you keep knocking, one door will eventually open. Stay committed, trust your vision, and know that every “no” brings you closer to a “yes.” It’s worth it.

9. What’s the one question you wish interviewers asked—and how would you answer it?
I wish more interviewers asked what kind of characters I’m drawn to. I’m fascinated by subversive female characters, especially in historical settings. I love revisionist storytelling—finding ways to empower women who were traditionally oppressed by imagining new truths and reinterpreting the past through a feminist lens.

10. Why are festivals like the FAME Shorts Film Festival so important?
Festivals like FAME Shorts are vital. They give emerging filmmakers a platform to showcase their work, connect with audiences, and find future collaborators. Sometimes, a short film is more than a project—it’s a calling card that opens new doors and helps shape a career.

Directors

Length

21:05

Language

Xhosa

Country of production

South Africa

Genre

Fantasy

Year

2024

Screening